ClCv 241 – Reception of Classical Myth
Papers
Purpose: Each Reception Paper engages one modern usage of a
classical myth. Usage of
“mythological shorthand,” like the application of metaphor, allows an artist to
bring all the narrative background of a myth into a new context and thereby
illuminate a new situation with that other background. Find a great usage and
analyze it aggressively.
The Prompt:
Identify a modern usage of a classical myth and analyze the artist’s
narrative gain in a careful two-page paper.
·
Consider this: “What does the narrative gain by
this specific use of mythological shorthand?”
·
Spend about half of your paper showing that the artist is consciously
participating in the tradition of the classical myth and about half showing what is the artist’s narrative gain
— “that and why”.
·
Your paper should convey the attitude that space,
not time, is the limitation; that you are upset to have only two pages to put so much
information into. Remove all fluff.
Select a “great usage”: Elements in films within Now Playing: studying classical mythology
through film or within the ClFF
(hummedia.byu.edu) are often good for starters.
For best
results, do not take on the entire narrative, but only a singled specific
element (i.e. a character, a scene, a twist of plot, etc.).
Make the single
element speak for the whole. Look
for divergence from that element’s definition in the Oxford Guide to Classical Mythology in the Arts.
Thesis: Craft a compelling and tenable thesis, one you
will prove with evidence in your short paper. Place the thesis early in the
paper.
Audience: Your audience is an informed reader who knows the
basic myth. Inform concisely. The paper should be a research paper that is
limited to two pages.
Evidence: Consult at least two legitimate, scholarly sources
that underpin your research and document them.
Format: NO MORE THAN TWO FULL PAGES. Use the .docx
template, if you wish. Document with footnotes in correctly
applied Chicago style. Consult some of the Sample
Reception Papers for specific formatting instructions.
Recommended Process: Start early. Ask, when uncertain whether your topic is likely to lead to
success. Draft. Share with a critical friend your draft. Leave time to revise. Consult the models. Redraft.
**Any paper submitted 7 days before deadline is promptly read and marked
as draft.**
Grades
are assigned according to Rubric: http://cal.byu.edu/macfarlane/MythPaperRubric.pdf
This
statement of the assignment is simply pared down from the FORMER VERSION. (The “former version”
is not bad. It’s just wordier. Go have a look.)
Finally: Macfarlane sees this page as a set of DO's, recommendations for better papers. For a listing of DON'Ts, look at the wordier file called "Myth Paper Don'ts" where the professor lists his pet peeves.